As a result, by 1978, 200 radio stations in America were devoted to disco. Between Christmas and New Year’s, 750,000 copies of the soundtrack sold. “Saturday Night Fever” opened in theaters Dec. In fact, “They didn’t give the tracks much thought or care or attention,” says Spence. He effectively pillaged five of their new songs, including “Stayin’ Alive” and “More Than a Woman.” The Bee Gees were working on a new album at the time, but Stigwood insisted they scrap it to work on the soundtrack. The Bee Gees, with their exposed hairy chests and high voices, were now the butt of ‘endless comedy sketches.’ The movie - “Saturday Night Fever” - was to star John Travolta, a popular TV actor from the sitcom “Welcome Back, Kotter.” He had acquired the film rights to a New York Magazine story called “Tribal Rights of the New Saturday Night,” about working-class kids from Bay Ridge who become stars on the dance floor of 2001 Odyssey, a Brooklyn disco. ![]() But then Stigwood hit upon a bright idea. Their album sales were faltering by the mid-1970s. Still, they weren’t exactly winning over America as the Beatles had. With their tight harmonies and telegenic looks, songs such as “To Love Somebody” and “How Can You Mend a Broken Heart” cruised into the top 10. The Bee Gees had first come to prominence in 1967 when manager Robert Stigwood, who’d had success overseeing Eric Clapton’s career, positioned the siblings as the next Beatles. “What happened to them was unprecedented in popular music.” “Nobody wanted to touch them,” said Simon Spence, whose new book “ Staying Alive: The Disco Inferno of the Bee Gees” (Jawbone Press) chronicles the group’s meteoric rise and spectacular fall. They hadn’t been shot, but they were as good as dead. ![]() ![]() The disco craze that had ruled the late ’70s had come to a screeching halt, and the Bee Gees, lords of the airwaves for two years, found themselves banned from the country’s most influential radio stations. Six months later, as the tour was winding down, nobody was laughing. And now the band was playing 60,000-seat arenas across America.ĭisco was king, and the Bee Gees - brothers Barry, Robin and Maurice Gibb, clad in white suits and flashing gold chains - were its ambassadors.Īt the start of the tour, Maurice got hold of a T-shirt that made everyone backstage laugh. The year before, it spent 24 weeks at No. Months before, their “Saturday Night Fever” soundtrack, featuring songs written and/or performed by the Australian trio, had won a Grammy for album of the year. In June 1979, the Bee Gees were on top of the world.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |